A recurring Serial Drama features over the years has been When Soap Writers Talk To The Press: Shocking, Stupid, Seriously How Are They Still Employed?; previous segments include Charles Pratt blaming Eden Riegel for his stunning failure at his job, Maria Arena Bell claiming that Tracey E. Bregman deserved an Oscar for her dual roles, Bob Guza blaming Michael for getting shot in the head and then going on to coin the phrase "the penultimate, the cosmic guffaw". I post their musings, provide commentary and then we all have a hearty laugh at their expense and/or weep bitter tears that these people write for a living.
Today's entry: Bob Guza talks to Nelson Branco in a conversation that reads as though delusion, arrogance and simple-mindedness combined to form a mutant offspring with zero redeeming qualities. My commentary at first consisted solely of the phrase "Bitch be crazy" in response to everything he said because...well, see for yourself.
Guza on Claire Labine: She’s a classic example. Stone’s death was a great story — but that’s all she had. As a result, not only did the show dip in the numbers, there was nothing to pick the story up.
He's right, you know? Claire Labine only had iconic stories like Stone's (and BJ's) death, which can hardly compare to Bob Guza's legacy which includes--gosh, I hardly know what awful story to throw in his face as an example because there are so many to choose from. Mr. Craig being Jerry Jacks? Blog wars? Sonny and Emily's affair? The Text Message Killer? I could keep going, because there are so many other ludicrous stories I could use to prove my point, but that would just depress me even more and, really, why exert any more effort when the following words so clearly convey the deepness of this man's wrongness?--Nikolas having sex with a hallucination of his tumor-addled mind.
TVG: Your storytelling is more balanced now, too.
Who who in the what now?
G: It’s because of the stories. I fixated on the idea of the Dante story that became the umbrella story for what you’re seeing now. The trick was not to make it Sonny’s story but Jason’s, Carly’s and so forth. I think that’s what our turning point was and what you’re seeing. Dante’s story has allowed us to tell these umbrella stories that we have to tell with this cast.
1. "I fixated on the idea of the Dante story"--no fucking way, seriously? I never would have known, because it's not like Dante has forsaken Italian food in favor of EATING ALL OF PORT FUCKING CHARLES.
2. The man thinks that an umbrella story is defined as "A Sonny/Jason/Carly" story. It says so much and so little about him at the same time.